Design shows are important events in the calendar and the big ones are very often held in London. When attending these shows I am often asked how designers keep current and in touch while living and working four hundred miles north of The Big Smoke.
Well, walk this way…
We have a collection of secret weapons up here in Scotland. Weapons that fuse together and do the majority of the work for us; our landscape, our light and our space. Without exception, every single design I have produced has stemmed from a walk outdoors. Not necessarily a traverse across rugged moor or a walk on one of our many wild beaches, even the most mundane of walks will produce results. It’s simply a case of looking rather than just seeing. I hunt for shapes, gather what I see and turn them into designs.
Shapes in the city
I shall demonstrate the power of the landscape with the help of the bute fabrics collection. A quick flick through the binder and I come across several fabrics that appear to be a direct abstraction from nature. Intentional or subliminal, the designers are clearly demonstrating a raw and visceral connection to the environment.
Pitted sand and ‘Iona’, fine worsted marl
The fabric of our landscape is literally weaving itself into the very heart of designs emerging from Scotland.
Protruding rock veins and ‘Kilmory’ cloth
Natural materials but a man made wall – look how its structure emerges as an architectural weave.
Stone wall and ‘Braemar’ cloth
Busy docks have long been one of my richest sources of inspiration. I can’t help but notice a similarity of colour and form in my dockland montage with that of bute’s special yarn effect cloth, ‘Skye’. A clean, contemporary cloth that I am keen to specify.
Docklands montage and ‘Skye’ cloth
Blue panels of Hebridean water are reproduced in the interior of this room – the positioning of the ‘Turnberry’ throw on the sandy coloured felt wool chair looks pleasing because it is a direct translation of a natural landscape. In other words, it gains an instant authenticity.
Panels of blue sea and Bute’s ‘Turnberry’ throw
Look at the dark Lewisian Gneiss sharply contrasting with the adjacent white sand – a powerful combination. The organic form of the white DSR Eames Chair is heightened by the dark grey back drop. Our design instincts are influenced by the natural world yet again.
A colour combination in nature emerges in an interior
A detail from an artist’s oil painting and a set of colours and shapes I see at the harbour.
Colours from a harbour and detail from an unrelated oil painting.
So no matter where we live, I am certain we are all deeply affected by the space around us. I am quite sure a primal force exists within us that connects us to the land and appears consciously and unconsciously time after time in the products we are designing. Nature is the touchstone for truthful design and is one of the many good reasons designers continue to live and work successfully in Scotland.
And it’s not just the landscape that inspires us, don’t forget about the local flora and fauna. After curing this locally caught salmon in beetroot and vodka, I was spell bound by the colour palette that lay on my kitchen work top.
But I will leave you with a montage of textures and patterns I collected from a recent walk. Textures I plan to work on to produce some new work – not a difficult task when surround by this…
natural textures and patterns