The Clothes Our Parents Wore

Having recently embarked upon designing my own textiles, I asked Mum and Dad to look through their photo albums and send me any snaps they had of Mum’s dresses in the late 1950′s. Well I wasn’t disappointed. Mum and Dad appeared looking out of the vintage, slightly crushed photos looking massively stylish…and look at the printed textiles.

These photos were all taken before I was born but I clearly remember the colours, designs and even textures of the cloth Mum and Dad both wore while I was growing up. It made me think how we all subliminally influence our children. The designs Mum and Dad chose are imprinted in my mind and have certainly affected my own taste as an adult (interestingly my eldest teenage son has just bought spectacles which are exactly the same as the ones my Dad, his Grand Father, wore in the late 1950′s).

How clearly I remember interior textiles that surrounded me too. The curtains that hung in our houses tended to be flat blocks of colour in varying but simplistic shapes, something I still crave and indeed base my own designs around. They favoured Danish furniture, something I do too. And then I started thinking a bit harder about my childhood interior and I remember a cylindrical copper suspension lamp shade that Dad (who is a scientist, not a designer) made for the dining room – all before Tom Dixon was even born!

The 1950′s and 1960′s were of course extremely creative decades where people had the confidence to experiment, customise and have fun with clothes and interiors. A time before the dominant big huge brands  that many seem to crave now. However, a wave of bespoke and individual designers which have global platforms like etsy and t.v programmes such as The Great British Sewing Bee have shown the public a glimpse of how much talent is out their and believe me, if you have any spare time, surf through etsy and be prepared to be amazed.

Do you remember the textiles your parents wore? If so, do you think they have influenced your choices as an adult?

New Textile Range, ‘Pear Drops’ and ‘Falling Apples’

Isn’t it funny how you can be carrying out a fairly mind numbing chore around the house when, ✳ping, you see something at a certain angle and it sets off the beginnings of a new design?

Well, it was a little group of asymmetric pears that caught my eye this time – I hope you like the end product, soon to be made into scarfs, cushions or any other suggestions you may have!

Pear group

Pear Drops on Silk

‘Pear Drops’ printed on 100% Silk

Big Pear Drop on Poplin

“Big Pear Drops’ on 100% Cotton Poplin

'Falling Apples' printed on 100% Silk

‘Falling Apples’ printed on 100% Silk

I would love to hear what you are working on or what has recently inspired you.

I was thinking of making the silk into scarfs but if you have any other ideas, suggestions welcome!

Have a great weekend.

21st March 2013 is International Colour Day!

Did you know it is International Colour Day this Thursday 21st March?

Logo designed by Hosanna Yau

Logo designed by Hosanna Yau

President of the Association International de la Coleur (AIC), Berit Bergström explains very well in this extract why we should celebrate this day.

An international colour day has been considered as appropriate since colour is, thanks to sight, one of the most influential phenomena in people’s lives and also one of the channels that most greatly contributes to the perception of reality. All around the world memorable colour activities are developed during the same day.
The proposal to establish this international colour day is spread throughout our international network and has been supported by its members. AIC is today represented by 38 different nations and I hope that you all will start your preparations for celebrating March 21st 2013!
The adoption of an international day of colour and light was proposed in 2008 by Maria Joao Durao, the Portuguese Association. Light and colour are inseparable. Colour is always connected with light, without light no colour therefore an international colour day will also celebrate the light.
Few things affect us as much as colour. It plays a vital part in our surroundings, whether at work, in public spaces or in our homes. Colour and light seem to interest everybody and are such a common component of our existence that we don’t give it a thought, in spite of all vision. All surfaces are coloured.  Colour has an outstanding role in our society and tells us much about different cultures as a crucial aspect in defining our identity.
WHY MARCH 21ST?
March 21st, every year the “equinox” – aequus (equal) and nox (night).
Around the equinox, the night and day are approximately equally long, symbolically relating to the complementary nature of light and darkness, light and shadow expressed in all human cultures.
Many different colour activities can be arranged worldwide in such a day. Here are some of the activities and events that could be unfolded on the International Colour Day:
•       Arts exhibitions, architectural projects, design, decoration, fashion….
•       Meetings, debates, scientific events…..
•       Workshops on the use of colour and light for both adults and children.
•       Contests on colour and light design.
•       Decide your identity colour, and wear it and use it during this day!
•       Start discussions…..
 
I realise it will be difficult to think more than usual about colour on Thursday because I   analyse colour and colour combinations all the time, every single day. I find it impossible to go anywhere without giving the colours around me a lot of thought. It’s a habit that can on occasion be quite tiring because I find it almost impossible to stop analysing and have a clear or empty head. I was attempting to explain this to a friend last week to find out if she did this too. I have come to the conclusion that we all look for different things despite looking at exactly the same view. I tend to immediately get rid of the detail and pull the view into simplistic flat blocks of colour. I didn’t think it was an odd habit until I started talking about it! I expect some people will be more interested in intricate details and be inspired by ornamentation or light and shadow. I think perhaps it is because I get confused when I am surrounded by too much detail and I therefore automatically start simplifying my surroundings.
How do you look at things?
I have tried to demonstrate in the photos below what I tend to do, let me know if you do this too!
Primary blocks
Teal, white grey
Red, white and blue
pink roses, deep door
On  Colour Day this year, I have decided to do a quick tally on what colour interior magazines are using on their front cover titles – should be a fun task and interesting to see what they think we are currently responding too.
How will you celebrate it?

When Inspiration Deserts You

It’s been a while since I last posted and that’s because something rather strange happened to me. To put it bluntly, my inspiration evaporated, vanished, dried up (partly due to a rather long bout of labyrinthitis) . Oh dear, I know on social media we are all meant to be oozing with creativity and positive energy but for one day only I will break the unspoken ‘bubbly’ rule. However, I am delighted to report, that finally I am back on track and raring to go. Phew, about time!

orange hull, violet below.

orange hull, violet below.

I mentioned previously that I am working on some woven textiles using blended colours and with this in mind  I photographed some of the huge ships docked at Leith, Edinburgh’s commercial quay this morning. I hope you enjoy the colour blends and shapes which were boosted by the glorious sunshine we have here today.

blue stripes, red overall

blue stripes, red overall

orange hull and below
metal stripes

metal stripes

orange hull, blue tape

orange hull, blue tape

sun through containers

sun through containers

I enjoy reading great blogs and comments from jewellers, cooks, artists, poets, writers and dress makers and all your posts come thick and fast. Does inspiration ever evade you? And if so, what do you do?

What do You Collect?

I am pretty sure most of us like to collect something. Perhaps its vinyl, volcanic rocks or paint colour charts? Well, I have to admit that I am a serial lighting collector. It’s not a fad, no, no, it’s taken thirty years to get this far and although it may seem rather extravagant I would sooner shuffle around in a pair ancient clogs (actually I do) if it means I have more to spend on lighting.

In my mind a classic is only a classic if it stays with me occupying my thoughts year on year. It should have a presence and charisma that adds energy to a space. It should also be practical and perform an excellent job. It should have a story behind it and it will often be inspired from something ordinary that has given the designer that initial spark. It should be well made, crafted and every detail tweaked.

Take Achille Castiglioni  who along with his brother Pier designed the iconic Arco floor light in 1962 after being inspired by the every day street lamp. Arco is a practical solution to allow overhead light in a room without the hassle of wiring a ceiling. But it isn’t just practical. The heavy Carrera marble base stabilises the long slender arm that sweeps up and out into the room. And the circular holes in the stainless steel shade allows the heat from the bulb to dissipate but also sends beautiful soft smudgy circular shadows up onto the ceiling. A well thought out solution to an every day need. Perfect.

All the lights I have bought over the years still give me immense pleasure. What’s more they still do their job and I haven’t ‘gone off’ any of them. And when a part does eventually perish, they can be repaired – not thrown out! I have two Fresnel lights designed by Joe Colombo in 1966 lighting up my front door. Lately a rubber seal preventing rain water from getting inside the fitting perished. I contacted the manufacturer, Oluce, they e mail me a diagram of parts, I identify the little piece I needed and it arrives shortly afterward through the post and my light is set for another decade of Scottish weather. That’s how it should be. My lights may have been fairly expensive but they don’t need replacing so actually it’s not such a bad habit after all…

What do you collect?

January = Creative Time

So, here we are in January scuttering back to work but oddly enough it’s one of my favourite months. Being the first month of a brand new year, January gives me renewed focus and an excuse to try out new techniques (in other words a month where I feel no guilt about spending more time on creative projects and less time on administrative and business tasks!)

clay men by Lawrence Epps

Clay Commuting Men by Lawrence Epps

For those of us living in Edinburgh, another bonus about January is that the National Galleries of Scotland  mount a beautiful Turner exhibition. The extensive collection of paintings was bequeathed to the Gallery with instructions that they must be ‘exhibited to the public all at one time, free of charge, during the month of January’ and this has been faithfully adhered to for over 100 years.

As its normally abstract expressionism that inspires me, I find visiting the Turner exhibition each year a great way of shifting my ‘normal’ way of thinking to considering other ideas.

Butting blocks of solid flat colour against each other is something I will never tire of as the energy that is created between two sparring colours or indeed the harmonious marriage of related colours discovering each other is an infinite source of enjoyment for me. However, the pure romanticism of the Turner paintings with their semi-transparent colour washes capturing stunning moods across the paper, or as Johannes Itten described as “a psychio-expressive medium to lend mood to a landscape” made me think about translucent colours and colour gradation.

air colour gradation

As you know, colour gradation has been a popular trend over the last year and  Danish brand Hay have designed stunning textiles using this technique. You will probably have noticed shop windows filled with clothes in colour gradations and teenagers adorning ‘dip dyed’ hair.

Shop window, London So with this in mind and with the plan to have some textiles woven by one of our  fabulous mills in Scotland (and there are many with incredible craft men and woman producing staggeringly high quality textiles), I am currently working on designs with gradients punctuated by solid beams of colour. It’s early days and I am still at a messy creative stage in the process but that’s what January is all about.

My etsy shop is now up and running as is unifiedspace on facebook and pinterest and I have an alternative blog, nikispace, for those short on time and  just looking for a picture rather than words – I told you I was having fun in January!

Photo taken in the Rolf Sachs 'Journey of an Ink Drop' exhibition

Photo taken in the Rolf Sachs ‘Journey of an Ink Drop’ exhibition

Hunt, Gather, Design

Design shows are important events in the calendar and the big ones are very often held in London. When attending these shows I am often asked how designers keep current and in touch while living and working four hundred miles north of The Big Smoke. 

Well, walk this way…

We have a collection of secret weapons up here in Scotland. Weapons that fuse together and do the majority of the work for us; our landscape, our light and our space. Without exception, every single design I have produced has stemmed from a walk outdoors. Not necessarily a traverse across rugged moor or a walk on one of our many wild beaches, even the most mundane of walks will produce results. It’s simply a case of looking rather than just seeing. I hunt for shapes, gather what I see and turn them into designs.

Shapes in the city

I shall demonstrate the power of the landscape with the help of the bute fabrics collection. A quick flick through the binder and I come across several fabrics that appear to be a direct abstraction from nature. Intentional or subliminal, the designers are clearly demonstrating a raw and visceral connection to the environment.

Pitted sand and ‘Iona’, fine worsted marl

The fabric of our landscape is literally weaving itself into the very heart of designs emerging from Scotland.

Protruding rock veins and ‘Kilmory’ cloth

Natural materials but a man made wall – look how its structure emerges as an architectural weave.

Stone wall and ‘Braemar’ cloth

Busy docks have long been one of my richest sources of inspiration. I can’t help but notice a similarity of colour and form in my dockland montage with that of bute’s special yarn effect cloth, ‘Skye’. A clean, contemporary cloth that I am keen to specify.

Docklands montage and ‘Skye’ cloth

Blue panels of Hebridean water are reproduced in the interior of this room – the positioning of the ‘Turnberry’ throw on the sandy coloured  felt wool chair looks pleasing because it is a direct translation of a natural landscape. In other words, it  gains an instant authenticity.

Panels of blue sea and Bute’s ‘Turnberry’ throw

Look at the dark Lewisian Gneiss sharply contrasting with the adjacent white sand – a powerful combination. The organic form of the white DSR Eames Chair  is heightened by the dark grey back drop. Our design instincts are influenced by the natural world yet again.

A colour combination in nature emerges in an interior

A detail from an artist’s oil painting and a set of colours and shapes I see at the harbour.

Colours from a harbour and detail from an unrelated oil painting.

So no matter where we live, I am certain we are all deeply affected by the space around us. I am quite sure a primal force exists within us that connects us to the land and appears consciously and unconsciously time after time in the products we are designing.  Nature is the touchstone for truthful design and is one of the many good reasons designers continue to live and work  successfully in Scotland.

And it’s not just the landscape that inspires us, don’t forget about the local flora and fauna. After curing this locally caught salmon in beetroot and vodka, I was spell bound by the colour palette that lay on my kitchen work top.

But I will leave you with a montage of textures and patterns I collected from a recent walk. Textures I plan to work on to produce some new work – not a difficult task when surround by this…

natural textures and patterns

Unifiedspace at Stockbridge Market This Sunday

I am very excited to tell you that unifiedspace will be at the fabulous Stockbridge Market, Edinburgh this Sunday 9th December 10am – 5pm. I have made lots of Christmas Gift Packs and greetings cards so come along, choose your colour combo and get your Christmas shopping sorted!

Christmas bird card

mug range

detail from linen union tea towel

twigs linen union tea towel

St.Andrew’s Day and the Winner is…

It’s St.Andrew’s Day and as promised I will announce the winner of the gift pack competition, well two winners actually because my ice cold sleepy fingers pulled two names from the hat this morning.

Saltire and Union flag

I am delighted to tell you that Claire from Make Me a Frock and Sandra from The Colour of Ideas have both won their chosen gift pack. Thank you to everyone who entered and for all the ‘likes’ on my new Facebook page.

And talking of Facebook, have you ever wondered why Facebook’s page is blue? Reporter Jose Antonio Vargas asked founder Mark Zuckerberg that very question and Zuckerberg  explained he suffers from  a red-green colour blindness and that “blue is the richest colour for me — I can see all of blue.”

That’s a good practical reason to choose blue but colour perception is also based on memory of a colour. Consider how you felt as a child when your teacher marked big red crosses on wrong answers (I have real issues using red, perhaps I had rather a lot of wrong answers…) or how  you feel when you watch a red fire engine career towards a dangerous fire. Then think about a clear blue sky and you can understand why blue is such a cherished calm colour and red may stir an alert reaction in us. Of course many other factors play a role in colour perception including the colour’s wavelength and the process our brains go through to decode the wavelength into colour (red being the longest and most difficult wavelength to decode, which probably contributes to our increased heart rate when surrounded by red). life ring

Blue sky, blue sea, red and urgent looking life ring
But back to blue and I would like to wish everyone across Britain and beyond a happy St.Andrew’s Day from a beautiful clear and very cold day here in Edinburgh where there are many Creative Events taking place – I am looking forward to Karine Polwart’s concert at Queens Hall tonight, especially listening to her song, Cover Your Eyes which I first heard while watching the shocking documentary, You’ve Been Trumped a film I mentioned in Sand, Grasses and a Golf Resort.
Have a great weekend and everyone is welcome to drop in to a Christmas Open Studio Event at Red Leaf Studio, Boness this Sunday 12:00 – 4:30pm, it would be great to see you!
gull and blue sky