I’m treading carefully here and may sound overly laconic but I’m coaxing my brain into defrost mode (doesn’t help having a broken boiler, mind you…)
Where do designs come from? The conscious and unconscious routes a designer takes are of great interest to me. Perhaps we constantly collect design inspiration throughout life, storing it in our brains until a spark unearths it? Personally I would go even further and say that design blueprints from centuries ago are stored in our DNA. I’m sure that’s why a strong and recognisable design ‘style’ can be be attributed to succinct geographic locations. If you’ve read my blog before, you will know I am drawn to Scandinavian design and the Northern colour palette.
I’ve recently been searching for some new dinnerware and while sifting through hundreds of images on line, I came across Marimekko’s siirtolapuutarha plates. I knew within a split second that I had found what I was looking for.
Then, one evening last week I was enjoying an evening meal on my new plates (colourful food looks fantastic on them by the way, which is a relief as I’ve previously erred for trusty plain white dinnerware) my eyes drifted onto my all time favourite possession, a porcelain coffee set made by the Norwegian company porsgrund which my parents bought for themselves from a design shop in Edinburgh in 1962 and have since given to me. It is fine white porcelain with a shiny gold design on it. It’s delicate, slightly naive and utterly beautiful and even after many years of feasting my eyes on it, I still get butterflies in my stomach whenever I look at the set. What I hadn’t realise when I bought the Marimekko plates was that I was buying a piece of Finnish design in 2014 that looked like the ‘grandchild’ of the Norwegian Porsgrund coffee set my parents bought fifty years earlier. Do you see a passing resemblance or is it just me?
Unfortunately I don’t know the Norwegian designers name (I must contact the porcelain factory to see if they have any information in their archive) and I think my Marimekko plates are designed by Maija Louekari and I doubt there is any connection (other than both being Scandinavian) between them but I think the essence is definitely there.
I am working on some new designs at the moment, something a little different from my other pieces and already I am wondering why I have come up with each particular design and indeed do I have any conscious decision in the end result at all or is it predetermined from some primal calling deep within or has it stemmed from a previous visual experience which is surfacing in the design work I do today? Who knows. However, in order to delve a bit deeper into neurological pathways and how I use them, I have enrolled on a meditation course which starts this week and my plan is to work on designs immediately after each class – I can’t wait to see what it unlocks.
Do you meditate and if so, do you feel more creative as a result?
+ I am delighted to report that since writing this post, the Norwegian porcelain factory, Porsgrund have been in touch and my beautiful coffee set is ‘Regent’ model and the design is called ‘Corona Gull’. It was designed by Tias Eckhoff who trained in Oslo and Denmark and his pioneering porcelain work for Porsgrund and flatware for Georg Jensen in the 1950’s earned him many awards and was seen as a pioneer in the Scandinavian design movement. I am absolutely delighted to have this precious information, thank you Marte at Porsgrund.+