London Design Festival 2015

London Design Festival is such a big event and everyone who visits is bound to come away with their own highlights – here are some impressions I gathered and some pieces that caught my eye as I whizzed round 100% DesignDesign JunctionDesigners BlockTentShoreditch Design Triangle and of course the LDF at the V&A and Somerset House.

Faye Toogood's Cloakroom installation at the V&A

Faye Toogood’s Cloakroom installation at the V&A

One advantage of covering so many shows at top speed is that you get a sense of emerging trends and this year there seemed to be many crafted elements to the shows, for example metal elements were hammered and beaten (copper and brass still being prominent), there were plenty of hand woven textiles (some designers even had their looms with them) and timber was often hand turned. Digitally printed textiles also had a crafted vibe as many were hand painted designs which had been scanned and printed. The ceramics too felt really organic and I particularly enjoyed the pots at the Geffrye Museum where the potters were on hand to speak about their work. I came away thinking of individual designers and their processes rather than bigger manufactures. The festival really captured our desires of wanting authentic ethical artistic pieces rather than anonymous mass manufactured work.

Textiles by Jonna Saarinen

Textiles by Jonna Saarinen

Loom Demo at Tent London

Loom Demo at Tent

Tactile soft surfaces at 100% Design

Tactile soft surfaces at 100% Design

For me, the highlight was an exhibition at Designers Block called The Secret Life of the Pencil‘ a collaborative project by industrial designer Alex Hammond, and photographer Mike Tinney. They photographed pencils belonging to successful designers, writers, and architects such as Philippe Starck, Lord Norman Foster, Anish Kapoor, John Pawson, Dame Zandra Rhodes and closely photographed their humble pencils which actually told a lot amount about their owners. It was staggering how easy it was to guess which pencil belonged to whom. It certainly made me look at my own pencil in a new light.. normally a coloured one.

Tom Dixon's pencil

Tom Dixon’s pencil

Anish Kapoor's pencil

Anish Kapoor’s pencil

John Pawson's pencil

John Pawson’s pencil

James Dyson's pencil

James Dyson’s pencil

But the exhibit that I continue to think about is Connected by Pattern at Somerset House. A room filled with 3D monochromatic patterns which you were invited to immerse yourself in after putting on a patterned poncho hanging by the entrance of the room. Every house should have a room like this! You become instantly lost in a creative world of pattern, it was liberating, extremely fun and seemed to take you back into the fantastical mind set of a child. Brilliant.

Connected by Pattern

Connected by Pattern

It was also refreshing seeing the introduction of Asian design this year. China had a big stand at 100% Design and their accessories in particular were eye catching in their simplicity. The Korean displays at Tent were also stunning, ‘simple, calm, subtle‘ was their mantra and based on traditional Korean craft, Kim Soo Young + Cho Ki Sang’s, brass tableware was dreamy and current.

Kim Soo Young + Cho Ki Sang, Brass Tableware

Kim Soo Young + Cho Ki Sang, Brass Tableware

There is so much more I could tell you about, not least the sublime Pip McCormac chocolate brownies laced with turkish delight and edible flowers that he made for Lee Broom’s The Flower Shop Installation in Shoreditch or being turfed out of the The Shard on the 32nd floor for wearing trainers (a blessing actually as the cacao cocktails in Borough Market were a much better choice 😉

Lee Broom Store

Lee Broom Store

Lee Broom's The Flower Shop' Installation

Lee Broom’s The Flower Shop’ Installation

Pip McCormac's , The Herb and Flower Cook Book

Pip McCormac’s , The Herb and Flower Cook Book

However, this post is long enough but if you would like to see more snaps, I’ve posted some on instagram.

Thank you London Design Festival , that was the best one I’ve attended and I’m already looking forward to 2016!

London Design Festival 2012 – the Red Trend

London Design Festival is a great time to visit the city as the number of design shows, workshops, pop up shops are phenomenal and this year was no exception.

After visiting 100% DesignTent LondonDesign JunctionDesigners Block, the Conran Shop, and of course the Design Festival at the V&A,  three very clear trends emerged from the shows.

The first was obvious as London had turned red! The launch of the Louis Vuitton and Kusama collection was celebrated by the facade of Selfridges  being bathed in red hot light and the shop floor being covered in huge red spots. A lot of people were wearing red jeans too…

The Conran Shop who were launching a beautifully pared down and updated Soda Stream (the perfect Christmas present) designed by Yves Behar decided to show a collection of design classics – all chosen in red which when set against their trade mark blue walls looked stunning. It was interesting looking at chair designs spanning the twentieth and twenty first centuries all being shown in the same colour as it forced you to consider the form of the chair more than you may have done had they been shown in their original colours.

I suspect red is a micro trend derived from ‘London 2012’ and all things red, white and blue as the colour trend predictors tell us that green is the predominant colour for 2013. However, it was certainly an ingenious and arresting colour to use in the exhibitions as the excitement around the shows was palpable.

The other two trends (more subtle) I shall put in my next post – this is just a quick post to celebrate all things red.

Back soon with the next post.