Borrowing Themes From The Catwalk

Just in case you thought I had abandoned ship, (I was just distracted by the Olympics and  The International Edinburgh Festival) I thought I would share my photographs from the Jean Paul Gaultier exhibition at the de Young Museum, San Francisco taken in July.

As I am not a fashion writer, I will not attempt to elaborate on the various themes and ideas behind Jean Paul Gaultier’s designs over the decades apart from to say that he is highly influenced by his grandmother whom he idolised and her collection of cloths. His designs celebrate the female form, sometimes with humorous undertones but always in ways to project inherent powers and strengths he sees in women.

As we all know, interior trends are deeply entwined with fashion trends and while looking at Gaultier’s mannequins  (which incidentally and quite unnervingly start speaking when you approach them) I enjoyed visualising potential interior projects with the colours, forms and themes Gaultier uses in his spectacular designs.

I am thinking Nautical boathouse fused with the 2012 trend for lace detailing – something Scottish lace mill MYB Textiles has been at the forefront of.

And the opulent and dominant boudoir interior…

and the current paint trend for David Oliver’s metallic mix of gold and silver for which he coined the term ‘gilver’. Celebrating the ‘hedonistic exuberance of the 1920’s ….associated with drama, power and wealth…but equally it can be simple, understated and quietly bewitching’,  David Oliver from Paint & Paper, A Master Class in Colour and Light.

with a nod to the current native interior references,

and tribal chic a predominant interior trend in 2012 where skins have been used extensively over many forms of seating –  more frequently sheepskins and deer skins draped over classic mid twentieth century Scandinavian designs.

Okay, so my parallels are a little tenuous but nevertheless they are all themes which have played a part in recent interior projects including this next image fusing punk, biker -rock, street with tartan, probably more in bars than domestic interiors but a strong influence for sure.

Talking of trends and themes, the most talked about colour for Winter 2012/13 appears to be Ox Blood, not a description I hugely cherish, perhaps an earthy beetroot cordial sounds more appealing but as it’s colour combinations that interest me I am paring the Ox blood with some squid ink (!) and I can suddenly see how this rich palette could make a big impact this Autumn.

Smelling Colours

There is nothing more energising that a sudden, clean cut change of season – as we have today. Summer gone, in comes Autumn and with it a real sea change in colours. Even the air smells different – earthy, smoky, mossy and woody.

So today I am testing a theory. I’ve sliced some heady seasonal fruit and vegetables, all of which display highly saturated colours. I am asking a sample of friends to smell the veg blind folded and then choose an NCS colour from my colour index fan which best represents the smell they have just been exposed to. I am pretty certain they will choose fairly saturated colours and probably pick a great Autumnal palette, but we shall see (results in next post).

Below are the fruit and vegetables in the experiment. I’ve chosen to photoshop the images purely because it simplifies the colours in each photograph.

Fig

Turmeric root

Artichoke

Pomegranate

Selection in experiment

If you are interested in other ways to describe scent, you may enjoy yesterdays Culture Cafe programme on BBC Radio Scotland where two poets were asked to write a poem inspired by smells they were exposed to by Erika Duffy, Scent Technician at Lush.

Meanwhile, I am going to take some of these raw juicy colours and start designing my next range of textiles – first collection currently being screen printed and should be ready early November…..more on that shortly.

Two Summer Colours to Keep

As I sit here at 55 latitude, I have to report that summer has definitely vanished. The shops are filling up with heavy textiles and the colour palettes are rapidly changing.

However, it is still August, so I thought I would pin up some summery palettes and interestingly each image contains one colour that is going to hang on well into Winter 2011.

Sulphurous yellow is likely to be a key micro colour this winter. Used for details to lift a moody room, or on the catwalk to make fun of  grown up tailoring, its presence even on very small areas will be felt.

Inky midnight blue is another colour I think we will see but this time on larger areas. Not a conventional navy, more a bruised navy heading towards off-black. A great backdrop for artwork and a colour that can easily add sophisticated drama to an interior. Farrow & Ball’s Hague Blue fits the bill but if you are looking for less saturation, Paint & Paper Library’s Blue Blood is a stylish “easy on the eyes” blue. Little Greene’s Juniper Ash  a hazy airforce blue-grey  would be a softer choice while Valtti “St.Peter’s Boat” a powerful blue-black would create an interesting feature wall.

Put the two colours together and you have a great combination – perhaps it’s not so bad we are marching towards Autumn……