Just in case you thought I had abandoned ship, (I was just distracted by the Olympics and The International Edinburgh Festival) I thought I would share my photographs from the Jean Paul Gaultier exhibition at the de Young Museum, San Francisco taken in July.
As I am not a fashion writer, I will not attempt to elaborate on the various themes and ideas behind Jean Paul Gaultier’s designs over the decades apart from to say that he is highly influenced by his grandmother whom he idolised and her collection of cloths. His designs celebrate the female form, sometimes with humorous undertones but always in ways to project inherent powers and strengths he sees in women.
As we all know, interior trends are deeply entwined with fashion trends and while looking at Gaultier’s mannequins (which incidentally and quite unnervingly start speaking when you approach them) I enjoyed visualising potential interior projects with the colours, forms and themes Gaultier uses in his spectacular designs.
I am thinking Nautical boathouse fused with the 2012 trend for lace detailing – something Scottish lace mill MYB Textiles has been at the forefront of.
And the opulent and dominant boudoir interior…
and the current paint trend for David Oliver’s metallic mix of gold and silver for which he coined the term ‘gilver’. Celebrating the ‘hedonistic exuberance of the 1920’s ….associated with drama, power and wealth…but equally it can be simple, understated and quietly bewitching’, David Oliver from Paint & Paper, A Master Class in Colour and Light.
with a nod to the current native interior references,
and tribal chic a predominant interior trend in 2012 where skins have been used extensively over many forms of seating – more frequently sheepskins and deer skins draped over classic mid twentieth century Scandinavian designs.
Okay, so my parallels are a little tenuous but nevertheless they are all themes which have played a part in recent interior projects including this next image fusing punk, biker -rock, street with tartan, probably more in bars than domestic interiors but a strong influence for sure.
Talking of trends and themes, the most talked about colour for Winter 2012/13 appears to be Ox Blood, not a description I hugely cherish, perhaps an earthy beetroot cordial sounds more appealing but as it’s colour combinations that interest me I am paring the Ox blood with some squid ink (!) and I can suddenly see how this rich palette could make a big impact this Autumn.