The Fruitmarket Gallery #DesignMarket 9th -11th June 2017

Delighted to be back for the third year running at the Fruitmarket Gallery Design Market which previews tomorrow, Friday 9th June at 5pm. New work, promotions (and of course a few beverages) will be served at the opening so please join us if you can!

…and remember, the fabulous Milk Cafe will be open with its delicious seasonal lunches and cakes over the weekend.

DM2017_FTP.pdf

DM2017_FTP.pdf

London Design Festival 2015

London Design Festival is such a big event and everyone who visits is bound to come away with their own highlights – here are some impressions I gathered and some pieces that caught my eye as I whizzed round 100% DesignDesign JunctionDesigners BlockTentShoreditch Design Triangle and of course the LDF at the V&A and Somerset House.

Faye Toogood's Cloakroom installation at the V&A

Faye Toogood’s Cloakroom installation at the V&A

One advantage of covering so many shows at top speed is that you get a sense of emerging trends and this year there seemed to be many crafted elements to the shows, for example metal elements were hammered and beaten (copper and brass still being prominent), there were plenty of hand woven textiles (some designers even had their looms with them) and timber was often hand turned. Digitally printed textiles also had a crafted vibe as many were hand painted designs which had been scanned and printed. The ceramics too felt really organic and I particularly enjoyed the pots at the Geffrye Museum where the potters were on hand to speak about their work. I came away thinking of individual designers and their processes rather than bigger manufactures. The festival really captured our desires of wanting authentic ethical artistic pieces rather than anonymous mass manufactured work.

Textiles by Jonna Saarinen

Textiles by Jonna Saarinen

Loom Demo at Tent London

Loom Demo at Tent

Tactile soft surfaces at 100% Design

Tactile soft surfaces at 100% Design

For me, the highlight was an exhibition at Designers Block called The Secret Life of the Pencil‘ a collaborative project by industrial designer Alex Hammond, and photographer Mike Tinney. They photographed pencils belonging to successful designers, writers, and architects such as Philippe Starck, Lord Norman Foster, Anish Kapoor, John Pawson, Dame Zandra Rhodes and closely photographed their humble pencils which actually told a lot amount about their owners. It was staggering how easy it was to guess which pencil belonged to whom. It certainly made me look at my own pencil in a new light.. normally a coloured one.

Tom Dixon's pencil

Tom Dixon’s pencil

Anish Kapoor's pencil

Anish Kapoor’s pencil

John Pawson's pencil

John Pawson’s pencil

James Dyson's pencil

James Dyson’s pencil

But the exhibit that I continue to think about is Connected by Pattern at Somerset House. A room filled with 3D monochromatic patterns which you were invited to immerse yourself in after putting on a patterned poncho hanging by the entrance of the room. Every house should have a room like this! You become instantly lost in a creative world of pattern, it was liberating, extremely fun and seemed to take you back into the fantastical mind set of a child. Brilliant.

Connected by Pattern

Connected by Pattern

It was also refreshing seeing the introduction of Asian design this year. China had a big stand at 100% Design and their accessories in particular were eye catching in their simplicity. The Korean displays at Tent were also stunning, ‘simple, calm, subtle‘ was their mantra and based on traditional Korean craft, Kim Soo Young + Cho Ki Sang’s, brass tableware was dreamy and current.

Kim Soo Young + Cho Ki Sang, Brass Tableware

Kim Soo Young + Cho Ki Sang, Brass Tableware

There is so much more I could tell you about, not least the sublime Pip McCormac chocolate brownies laced with turkish delight and edible flowers that he made for Lee Broom’s The Flower Shop Installation in Shoreditch or being turfed out of the The Shard on the 32nd floor for wearing trainers (a blessing actually as the cacao cocktails in Borough Market were a much better choice 😉

Lee Broom Store

Lee Broom Store

Lee Broom's The Flower Shop' Installation

Lee Broom’s The Flower Shop’ Installation

Pip McCormac's , The Herb and Flower Cook Book

Pip McCormac’s , The Herb and Flower Cook Book

However, this post is long enough but if you would like to see more snaps, I’ve posted some on instagram.

Thank you London Design Festival , that was the best one I’ve attended and I’m already looking forward to 2016!

London: a Riot of Colour

I have to admit to not quite knowing where to start with today’s post. I spent last week in London, a city that never fails to blow my mind, and last week was no exception. It was of course in the throws of London Fashion Week and the The Brit Awards which meant that the shop windows were groomed and styled to perfection.

Strong colour trends were clearly visible throughout London. Blocks of coral crashing into great chunks of Klein blue and 70’s purples anchored by spicy tans and cinnamon hues – tribal colours without the pattern, instead emerging in great blocky geometric shapes.

As if I needed any more colour stimulus, I made a trip to the David Hockney exhibition ‘A Bigger Picture’. Suddenly you find yourself looking at the English countryside though a new set of eyes. To say the exhibition is vibrant, energetic, zesty would somehow be an understatement. This huge exhibition positively bursts off the walls of the Royal Academy with a ramped up sense of optimism and freshness. I would strongly recommend you to watch Andrew Marr’s interview with David Hockney on last nights The Culture Show – so much can be learnt from the mind of this artistic genius. As Hockney says, ‘everything becomes interesting if you really look’, I couldn’t agree more.

looking at patterns and exaggerating colour in Fife

Space is something David Hockney often talks of, particularly where one thing stops and another thing starts. Where two colours meet is something I am intensely interested in as the energy created at the boundaries of adjoining colours is the perfect fusion of art and science. But infinite space is one of  Japanese artist Yayoi Kusama’s enduring obsessions.  Her show at Tate Modern is one of the most fascinating exhibitions I have ever seen.

It shows her work constantly changing over the decades which probably mirrors her life which includes living in rural Japan, New York, Tokyo and for the last thirty years living voluntarily in a  psychiatric institution where she has created work hoping to show the psychological trauma she so often feels and wants to escape from. Leaving the exhibition you must navigate through a darkened room covered in mirrors and tiny coloured lights which completely disorientate you and seem to stretch out to infinity. It really is something you should experience if you are in London.

Apologies for the lack of photographs on this post but I couldn’t take my camera into the exhibitions. I’ve also been very busy creating some new products – I’m still at the messy stage but I am really pleased with the pieces that I started in Iceland last month.  I hope to have images up soon!